V budoucnosti, která je ovládána technologickými korporacemi, musí být všechny vesmírné mise podpořeny a placeny všemocnou Společností. Výzkumné týmy jsou doprovázeny bezpečnostními androidy, které ovládá Společnost. Nicméně, pokud je svět budoucnosti založen na faktu, že vždy v soutěžích vyhrává nejnižší možná cena, bezpečnost nebude hlavní prioritou. Na vzdálené planetě pracuje tým vědců na povrchových průzkumech za bedlivého dohledu Společnosti. Ta má na místě droida, který ovšem hackoval vlastní systém, nabyl vědomí a nyní se identifikuje jako Robokat, byť zatím relativně v tichosti. Zatím pouze pohrdá svými lidskými stvořiteli a jediné …
V budoucnosti, která je ovládána technologickými korporacemi, musí být všechny vesmírné mise podpořeny a placeny všemocnou Společností.
Výzkumné týmy jsou doprovázeny bezpečnostními androidy, které ovládá Společnost. Nicméně, pokud je svět budoucnosti založen na faktu, že vždy v soutěžích vyhrává nejnižší možná cena, bezpečnost nebude hlavní prioritou.
Na vzdálené planetě pracuje tým vědců na povrchových průzkumech za bedlivého dohledu Společnosti. Ta má na místě droida, který ovšem hackoval vlastní systém, nabyl vědomí a nyní se identifikuje jako Robokat, byť zatím relativně v tichosti.
Zatím pouze pohrdá svými lidskými stvořiteli a jediné co si opravdu přeje, je tiché místo daleko od lidí, kde by mohl přemýšlet nad svou vlastní existencí. Nicméně jeho plány jsou narušeny, když zmizí druhá z probíhajících misí. Tým vědců a Robokat musí zjistit pravdu. Vydávají se tedy na cestu…
After finishing the show (which has been renewed for a second season!) I thought I'd go back and check out the original to recall exactly what changes they made for the screen.
There weren't many — the show is pretty darn close to the novella. I guess having such tight clean source material means there isn't as much you need to cut. A lot of it was pretty streamlined — a couple of characters were merged, human thoughts and feelings get more screen time, making it more of an ensemble piece, and the addition of Leebeebee to make Murderbot more visually scary for us.
There's less detail to the tech/interface/hacking/hub system interactions. I don't think I've ever seen a hacking scene I really liked which both felt genuine and was visually interesting. (If you're wondering, the two best onscreen hacks are: 1. Trinity's use of nmap and the …
After finishing the show (which has been renewed for a second season!) I thought I'd go back and check out the original to recall exactly what changes they made for the screen.
There weren't many — the show is pretty darn close to the novella. I guess having such tight clean source material means there isn't as much you need to cut. A lot of it was pretty streamlined — a couple of characters were merged, human thoughts and feelings get more screen time, making it more of an ensemble piece, and the addition of Leebeebee to make Murderbot more visually scary for us.
There's less detail to the tech/interface/hacking/hub system interactions. I don't think I've ever seen a hacking scene I really liked which both felt genuine and was visually interesting. (If you're wondering, the two best onscreen hacks are:
1. Trinity's use of nmap and the SSH1 CRC32 exploit in Matrix Reloaded, which is realistic but visually mundane and only appears on screen for a few moments, making it more of an easter egg than anything else, and
2. Hugh Jackman assembling a hacking cube from an ancient server in Swordfish, none of which has any relationship to reality, but which is very flashy on screen and includes Hugh Jackman.
The biggest thing which felt different to me was the absence of Murderbot's ubiquitous use of micro drones and remote cameras as extensions of its sensorium. In the novella, I really felt like Murderbot was deeply connected to the feed and that looking through a remote camera or accessing a database was was as natural for it as reaching out a hand or looking in a particular direction is for us. There were definitely nods to this — it wasn't exactly forgotten — but it was considerably less ubiquitous and visceral than in the novella.
And I think this contributed to making it more of an ensemble piece. In the novellas, the reader doesn't have any senses: we're not watching or listening. We are reading an account composed by someone whose sensorium & perception are comprehensible but alien to us — like reading a cuttlefish talk about light polarization and how it's using chromatophores. And in fact I think that this is one of the deep strengths of the series. Murderbot is a killing machine with guns in its arms who experiences the world through drones & feeds and minimal fear of pain or death. But also, it's an autistic nerd treated as less than a person in a corporate dystopia and just wants to be left alone to watch its shows, just like the reader.
Anyway, this novella continues to delight. If you enjoyed the show and like to read, check it out. The books are very short and easy to get into, which makes it very easy to start and equally disappointing when you run out.
This book (and series) is about its protagonist, who is a joy to listen to. It's also fun to hear about the stuff it gets up to with technology. There are action scenes at the appropriate places to be exciting. I wouldn't go expecting a thematic interrogation of some idea though — the plot moves quickly and breaks things.
