They looked into the darkness and the darkness looked back . . .
New planets are fair game to asset strippers and interplanetary opportunists – and a commercial mission to a distant star system discovers a moon that is pitch black, but alive with radio activity. Its high-gravity, high-pressure, zero-oxygen environment is anathema to human life, but ripe for exploitation. They named it Shroud.
Under no circumstances should a human end up on Shroud’s inhospitable surface. Except a catastrophic accident sees Juna Ceelander and Mai Ste Etienne doing …
They looked into the darkness and the darkness looked back . . .
New planets are fair game to asset strippers and interplanetary opportunists – and a commercial mission to a distant star system discovers a moon that is pitch black, but alive with radio activity. Its high-gravity, high-pressure, zero-oxygen environment is anathema to human life, but ripe for exploitation. They named it Shroud.
Under no circumstances should a human end up on Shroud’s inhospitable surface. Except a catastrophic accident sees Juna Ceelander and Mai Ste Etienne doing just that. Forced to stage an emergency landing, in a small, barely adequate vehicle, they are unable to contact their ship and are running out of time. What follows is a gruelling journey across land, sea and air. During this time, Juna and Mai begin to understand Shroud’s dominant species. It also begins to understand them . . .
If they escape Shroud, they’ll face a crew only interested in profiteering from this extraordinary world. They’ll somehow have to explain the impossible and translate the incredible. That is, if they make it back at all.
In a dystopian future run by corporate productivity metrics, two women experience a catastrophe and land on Shroud.
Shroud is completely dark and full of life that lives by shouting constantly across every audio and radio spectrum. The world is full of loud danger and the women have almost nothing to get back to their dystopian ship. And then something notices them.
