Abattoir 5 ou la croisade des enfants

farandole d'un bidasse avec la mort

This book might be part of the J'ai lu -- 470 series.

Slaughterhouse-Five is one of the world's great anti-war books. Centering on the infamous fire-bombing of Dresden, Billy Pilgrim's odyssey through time reflects the mythic journey of our own fractured lives as we search for meaning in what we are afraid to know.

311 Seiten

Sprache: French

Am 13. Juni 1973 von Seuil veröffentlicht.

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OCLC-Nummer:
77486682

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Rezensionen

hat Slaughterhouse-Five von Kurt Vonnegut besprochen

War makes no sense, and neither does postmodernism

I had read this book as a teenager, and loved it, though I'm now unsure whether I had paused to contemplate what the author was trying to say. This time around, I was somewhat turned off by its misogyny, especially considering the book is meant, in a way, as a critique of macho militarism. It isn't 'just' that the book wouldn't remotely pass the Bechdel test, but also that virtually every woman described in the book is reduced to her attractiveness or lack thereof and, more often than not, characterized as stupid. The partial exception is Montana Wildhack, a (porn?) film star, who is not explicitly denigrated, but whose only function in the story is to have sex with Billy while they're both imprisoned in an alien zoo. Billy is very good about it because he waits until she enthusiastically consents, which strikes Kurt as both exceptional and admirable.

hat Matadero cinco von Kurt Vonnegut besprochen

Laburbilduz: liburu puska

Kurt Vonneguten Matadero cinco liburuak absurdoa, sarkasmoa eta irrazionaltasuna konbinatzen ditu gerraren eta, hedaduraz, bizitzaren beraren zentzugabekeria erretratatzeko. Billy Pilgrim bere bizitzako une garrantzitsuen artean salto egiten duen protagonistaren bitartez, Vonnegutek narratiba (eta tonu) kaotiko bat proposatzen du, edozein egitura tradizionalekin apurtzen duena. Zientzia-fikzioaren, kritika antibelizistaren eta umore beltzaren arteko nahasketa. Absurdoa eta tragikoa maisuki elkartzen dituena, liburuko unerik argienak izateraino.

Vonnegutek, gerra zalantzan jartzeaz gain, zentzurik ez duenari zentzua ematen saiatzea ere zalantzan jartzen du. Emaitza: nobela sarkastiko bezain argia, zuhurra. Irakurlea tonu apurtzaile baten bidez desarmatzen duena.

Nahiz eta irakurri duzuenok bat bakarrik gogoratuko duzuen (nik ere hori bakarrik gogoratzen nuen), bi esaldi errepikakor erabiltzen ditu liburu osoan zehar, saihestezina dena normalizatzeko balio dutenak. Eta hala dirudien arren, ez direnak baliabide estilistiko soil bat.